Even worse, overreach extends to enforcement. Import controls are not applied prospectively to items illicitly exported from a given country after the effective date of any implementing regulations, but rather far more broadly as embargos on all cultural goods of a given type coming from legitimate markets abroad, including those in Europe. If an importer cannot prove that an artifact was on the market outside a given country as of the date of the restrictions, under current practices it is subject to detention, seizure and forfeiture.
So, what is the solution? Make the preparation of any “designated lists” subject to the requirements of the Administrative Procedure Act (APA) and any enforcement actions subject to the requirements of Civil Assets Forfeiture Reform Act (CAFRA). The former would require the State Department to justify its actions in restricting common cultural goods and those of minority communities on the record. The latter would take the burden of proving a negative from importers and instead ensure that the government must demonstrate that an item was illicitly exported after the effective date of any governing regulations, Finally, make any repatriations of cultural goods of displaced minority communities go not to their oppressor governments, but to representatives of those groups in exile.
Rein in New York City’s World Culture Cop
Many would be surprised to learn that a local prosecutor could threaten criminal prosecutions for violations of foreign national patrimony laws under murky New York State law. Or that he could claim broad jurisdiction based on nothing more than an artifact, or even a transaction related to that artifact, passing through New York decades ago. Or that federal Homeland Security Investigations (HSI) would provide nationwide muscle to such threats and in doing so evade protections for targets of forfeitures enshrined under federal law. Yet, given this threat of criminal prosecution under New York law, this team effort has been quite successful in “convincing” collectors and institutions throughout the United States (and even sometimes abroad) to agree “voluntarily” to the repatriation of cultural goods that may have been on display for decades or sold at auction multiple times over the years. Of course, most simply cave into such threats, the prospect of criminal liability and cost of litigation being just too great.
So what is the solution? Federalize all claims for repatriation based on foreign national patrimony laws. Give federal courts exclusive jurisdiction over such claims, make them subject to the protections of CAFRA, and place a 5-year statute of limitations on them based on when an artifact was first imported into the United States. Finally, require such claims to be brought in the federal district court where the object is located now, not New York. Due process demands it.
While some might hope that the Trump Administration’s DOGE effort may defund the entire government repatriation operation as a “woke” waste of resources, it would probably be better in the long run to try some simple, common-sense reforms first instead.