Review of Disneyland on the Mountain: Walt, the Environmentalists, and the Ski Resort That Never Was by Greg Glasgow and Kathryn Mayer (Rowman & Littlefield, 2023)
Dawn at Mineral King Valley: The Sierra Club, the Disney Company, and the Rise of Environmental Law by Daniel P. Selmi (The University of Chicago Press, 2022)
Citizen Justice: The Environmental Legacy of William O. Douglas—Public Advocate and Conservation Champion by M. Margaret McKeown (Potomac Books, 2022)
Books
Disneyland on the Mountain: Walt, the Environmentalists, and the Ski Resort That Never Was
Greg Glasgow and Kathryn Mayer
Rowman & Littlefield, 2023
Dawn at Mineral King Valley: The Sierra Club, the Disney Company, and the Rise of Environmental Law
Daniel P. Selmi
The University of Chicago Press, 2022
Citizen Justice: The Environmental Legacy of William O. Douglas—Public Advocate and Conservation Champion
M. Margaret McKeown
Potomac Books, 2022
Willy Schaeffler was a Bavarian-born skier who began teaching American soldiers how to ski and rock climb shortly after World War II ended. He went on to become a legendary ski instructor for both the University of Denver ski team and for the U.S. ski team, and he played a key role in designing the ski runs for two Winter Olympics—in Squaw Valley (now Palisades Tahoe) in 1960 and in my hometown of Lake Placid in 1980. In between Squaw Valley and Lake Placid, Schaeffler worked closely with Walt Disney on plans to develop a ski resort at Mineral King, a bucolic mountain valley in the southern Sierra Nevada mountains.
The Mineral King ski resort became embroiled in litigation that led to one of the most famous environmental law cases, Sierra Club v. Morton (1972), in which the Supreme Court determined that the Sierra Club lacked standing to challenge the Forest Service’s approval. The three books reviewed here were published as that case turned a half century old, and the authors’ different approaches allow the reader to triangulate the full story behind the resort, the case, and all the players. That story includes Walt Disney’s Herculean efforts to build a winter wonderland not far from his first famous resort in Anaheim, California, as well as a drawn-out court battle that eventually reached the Supreme Court and inspired Justice William O. Douglas’s dissent, in which he queried whether trees should have standing. The story of Mineral King also captures fascinating debates within both the U.S. government—namely between the National Park Service and the Forest Service—and within the Sierra Club, which initially supported the resort but later opposed it. Ultimately, the story reflects the variety of ways in which people view the relationship between humans and nature.
As Schaeffler’s experience suggests, the American ski industry boomed following World War II, with veterans of the 10th Mountain Division, an elite group of ski troops, leading the way. Numerous ski areas opened on Forest Service land, in part because the agency managed land for “multiple use.” Mineral King was located in Sequoia National Forest, and in 1949, the Forest Service issued a prospectus for development of a ski area. The Forest Service received only one bid, and it was voided. Nevertheless, interest waxed by 1965, when it issued a second prospectus. This time, bids came in from multiple parties, including Disney and wealthy Angeleno Robert Brandt. Disney won and began work on a master plan for the area.
The Mineral King area was surrounded on three sides by Sequoia National Park, and critically, the only road to the area bisected the Park. Secretary of the Interior Stewart Udall, who oversaw the National Park Service, rejected any attempt to expand the use of the road. Following an interagency dispute, Udall eventually relented, and the Forest Service approved the Disney plan in 1969. The Sierra Club lawsuit was filed that same year. While the group persuaded a District Court in California to preliminarily enjoin the ski resort, the Ninth Circuit reversed in 1970, and the Supreme Court affirmed two years later. Undeterred and following the suggestion of a footnote in the majority opinion, the Sierra Club amended its complaint. The rejuvenated case languished and in 1978, Congress added Mineral King to Sequoia National Park, thus closing the door on a Disneyland in the mountains.
Greg Glasgow and Kathryn Mayer’s Disneyland on the Mountain is a crisply written narrative of the Mineral King saga. It sheds light on the variety of viewpoints and in doing so demonstrates that Mineral King was not only contested terrain, but also a reflection of the contours for the larger discussion in America about what nature meant and how, where, and when it should be experienced.
Walt Disney said that Mineral King “was one of the most beautiful spots I had ever seen, and we want to keep it that way.” But in Disney’s mind, the area should not be empty wilderness. Rather, he envisioned something more akin to Zermatt, Switzerland, which he had visited several times. As Glasgow and Mayer note, that “quaint village” was a “magnet for skiers and tourists,” but not “the type of tourist trap that Walt hated.” After Disney passed away in 1966, the company maintained the perspective that the area should be open. A Disney representative posed this question: “Shall this area remain totally inaccessible in winter and available only to a select few in summer, or shall it be made available for the pleasure, benefit and enjoyment of everyone?”
If this question had been posed to the Sierra Club in 1949, the organization would have chosen the latter. This position stemmed from an effort by the organization to stop the development of another California ski resort and a concomitant concern that opposing Mineral King would leave “skiers—many of whom were Sierra Club members—out in the cold.” This language is emblematic of Glasgow and Mayer’s breezy prose, which is deftly combined with strong chapter conclusions. To counterbalance the Sierra Club’s resistance at the other resort, the Club did not oppose the development of Mineral King or any other “non-wilderness area.” Here, the “non-wilderness” label was based on the area’s brief stint as a mining community in the nineteenth century. The Sierra Club changed course two decades later. Buoyed by a slew of young activists, the organization now opposed a commercial ski area in what they called “an informal place in the midst of mountains and a jumping-off place for the wilderness about it.”
Some of the people living in Mineral King valley also opposed the resort plans. Jean Koch echoed the Sierra Club when she wrote to the California governor: “Once the damage is done, it cannot be corrected.” But Koch also alluded to distinctive features, including the “fragile ruins of log cabins and other relics of the romantic mining history.” This divergence from the Sierra Club provides a third perspective on the human-nature connection, one in which the extraction of natural resources has ended but the evidence that remains on the landscape is seen as a valuable resource in and of itself.
One group that stood to gain from a new resort was the skiing community. As the litigation moved through the courts, the Far West Ski Association became involved. Glasgow and Mayer discuss how the organization started a series of “ski-ins” in Mineral King that aimed to provide a glimpse of what skiing would be like if Disney could build its resort. These events contrasted with the “hike-ins” that environmentalists had held and promoted with posters showing Mickey Mouse hovering over the valley, wielding an ax and a sinister look. The Far West Ski president said that “most people have this idea this is wilderness.” He acknowledged that Mineral King was “a beautiful area,” but added that “it has been mined and logged and people have built cabins and summer homes here for a century.”
While Glasgow and Mayer effectively capture multiple perspectives, the throughline for their book is Walt Disney and his company. Disneyland on the Mountain begins with a press conference that Walt held in September 1966, shortly after he won the bidding against Brandt. Soon, the reader is swept up in a story about Walt’s love of skiing and the incorporation of nature into his work. For example, the authors detail a series of movies called Disney’s True-Life Adventures, which consisted of thirteen films that won eight Academy Awards. These movies took viewers to Africa, South America, and the Arctic and showed a multitude of animals. The authors’ discussion about Disney’s development of animatronics seemed a bit out of place, but Glasgow and Mayer have woven a compelling business history of Disney against the backdrop of Mineral King. And the final chapter includes a story about Disney’s legacy in the skiing world, even if it is not at Mineral King. In the 1980s, the Colorado ski resort of Vail asked Disney for help boosting the resort’s image. Disney assented and made Goofy—“Walt’s beloved buck-toothed character who yodeled down mountain slopes in The Art of Skiing”—Vail’s ski ambassador.